Sunday, August 4, 2019
Baz Luhrmanns Film Adaptation of Romeo and Juliet Essay -- Papers
 Baz Luhrmann's Film Adaptation of Romeo and Juliet       Shakespeare's use of language reflects the theatre of his day. There     were no elaborate set designs, costumes, lighting or sound effects and     there were also only a small number of actors playing many different     parts. This could get confusing and therefore the language and imagery     had to do all the work for the audience, as the words were the only     tools available to help them imagine the scenes vividly.       In the prologue of "Romeo and Juliet", line number twelve; "Is now the     two hours' traffic of our stage" and the very last words; "our toil     shall strive to mend", have significant meaning. These sentences,     spoken by the chorus, highlight to the audience the key plot elements     to come. It gives the audience an idea of what they are about to watch     or read and makes the ensuing action more intelligible. This dramatic     convention therefore acts almost like a movie trailer. In Baz     Luhrmann's film adaptation of the play, the prologue begins with a     long shot of a television (within a television), with a reporter     speaking to us from inside of it. Behind the reporter's left shoulder     are the words "star-crossed lovers" and a symbol of a broken ring.     This, in the first minute of the play, already introduces us to the     fact that Romeo and Juliet are star-crossed lovers, which is a major     theme throughout the entire play. The news reporter then delivers the     whole prologue from beginning to end, before the camera zooms further     and further in until the point of extreme close up, at which point the     prologue changes. This is how Baz Luhrmann achieves a similar effect     to Shakespeare's dramatic use of the pr...              ...rologue! At the very end of the     prologue, the title "Romeo + Juliet" comes up and the 'plus' sign is     actually made to suggest a Christian cross. This subtly reminds us of     the religious side of the play. This includes the Friar, who is a     religious personage, the wedding that Romeo and Juliet have and also     the whole theme of destiny and some divinity or higher power looking     over and controlling us in life.       So in conclusion, this is how Baz Luhrmann's film adaptation of the     prologue from "Romeo and Juliet" successfully visually highlights     Shakespeare's rich language and imagery. We can see how he has gone     through the prologue and then fairly systematically translated its     deeper meaning, in remarkably creative ways. He effectively translates     all the messages of the prologue in a contemporary and entertaining     context.                        
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